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Anna Wintour: La reina madre de la curaduría blanca aparece en modo reliquia imperial: broche corazón, encaje y satén en un celeste tan pálido como su idea de diversidad. Es el look de una mujer que ya no edita moda: edita raza.

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Pharrell Williams: El dandismo sin cuerpo. Impecable, pero irrelevante. El traje blanco de Chanel no dice nada, y quizás por eso funciona: es el minimalismo de quien ya fue todo y ahora solo busca no ser cancelado. Arte del desvío.

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Gigi Hadid: Diva dorada, literal. Este look es pura gravedad editorial: pesadez barroca, curvas diseñadas, brillo de mausoleo fashionista. Es hermoso, sí, pero también es el cadáver exquisito del glamour blanco.

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Anne Hathaway: Blanca, rica, disciplinada. Su camisa blanca abierta y su falda de tweed en rayas gigantes dicen todo sobre el control. Es el look de la blancura ejecutiva: soft power y gemelos Cartier. Girlboss que sabe de arte.

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Miley Cyrus: Negra por encuadre, pero sin archivo. Su top de vinilo y su falda de volumen contenida parecen una fantasía de cuero para editorial Vogue 2008. Muy bien ejecutado, pero sin historia. Es lo camp sin el trauma.

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Shakira: La única no-blanca del doom, aunque blanqueada hasta lo Barbie. Su vestido rosa chicle con aberturas, guantes y cola hinchada es puro deseo de aceptación. Es el look de la mujer latina que no puede enojarse.

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Kendall Jenner: Control freak. Este look corporativo posfeminista, con escote agresivo y hombros armados, es el disfraz de CEO de una hegemonía que no necesita gritar. Su vestido es algoritmo

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my favourite From the gala are with one exception, all white

1. Anna Wintour
   The white curator-in-chief appears like an imperial relic: heart-shaped brooch, embroidered satin, and a powder blue so pale it matches her concept of diversity. This isn’t fashion editing anymore—it’s racial editing.
2. Pharrell Williams
   Dandyism without a body. Impeccable, yet irrelevant. The white Chanel suit says absolutely nothing—which is maybe the point. It’s the minimalism of someone who’s already been everything and now just avoids getting canceled. The art of the elegant sidestep.
3. Gigi Hadid
   Literal golden goddess. This look is pure editorial gravity: baroque heaviness, sculpted curves, and mausoleum shimmer. It’s stunning, yes—but also the exquisite corpse of white glamour.
4. Anne Hathaway
   White, rich, disciplined. Her crisp open shirt and oversized tweed stripes say everything about control. It’s the look of executive whiteness: soft power, Cartier rings, and an understanding of museum funding. Girlboss goes MoMA.
5. Miley Cyrus
   Black by framing, but without the archive. The patent leather top and controlled voluminous skirt feel like a Vogue 2008 fantasy. Sleek, clean, expertly styled—but empty. Camp without trauma.
6. Shakira
   The only non-white in the doom list—though whitened to Barbie levels. Her bubblegum-pink gown with slits, gloves, and puffed train screams assimilation. It’s the look of a Latina woman who’s not allowed to be angry.
7. Kendall Jenner
   Control freak couture. This postfeminist power look, with aggressive cleavage and sculpted shoulders, is the CEO drag of a hegemony that no longer needs to shout. Her dress is a thesis on how the algorithm dresses itself.

Kendall Jenner: Control freak couture. This postfeminist power look, with aggressive cleavage and sculpted shoulders, is the CEO drag of a hegemony that no longer needs to shout.

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Miley Cyrus: Black by framing, but without the archive. The patent leather top and controlled voluminous skirt feel like a Vogue 2008 fantasy. Sleek, clean, expertly styled—but empty. Camp without trauma.

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Anne Hathaway: White, rich, disciplined. Her crisp open shirt and oversized tweed stripes say everything about control. It’s the look of executive whiteness: soft power

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Anna Wintour: The white curator-in-chief appears like an imperial relic: heart-shaped brooch, embroidered satin, and a powder blue so pale it matches her concept of diversity. This isn’t fashion editing anymore—it’s racial editing.

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